Some Thing Keeps Me Down On Sunday
by Divine Angubua
from Issue 1
"Nothing is going to happen in this story.
There is only a little violence here and there…
At the corner where eternity clips time."
Generally, the feeling is this unyielding thing. Pain. Paired with the quiet, warm indifference one comes to approach life with, and the final sense of a beast lurking somewhere within my story. I get this feeling as I lie in bed, simmering, propped up on two pillows, arms stretched out over a blue blanket. I wish for the power to rise up and eat. Outside, the city roars with the cries of cars sprinting down the main road. A loud, vague clanging reverberates in the distance like a monkey sounding a metal death cymbal. I don’t hear birds.
There is so much light here. The light presses against the window. So prying. For a moment, I have to look away. I climb out of bed, and feel the thing in the slowness of my first steps, right at the curve of my kneecap, where a bone, like an iron pin, slowly pushes its way between the tibia and the femur to prick the smooth patella. I get the impression that the beast is circling. Where in my story am I that there is something to want? There is the sense of an ending, yes. But it is morning. Things cannot end while the birds sing — which they don’t — and the grass is still wet and green. I figure everything is only just beginning. In the corner of my eye, I see a shadow strike north like an axe. I take another step to the door.
Before I get out of bed, however, I play with myself. And I feel the thing. The effort to lose myself, to self-immolate by orgasm. I squeeze it out from the tip like the final drop of toothpaste from a withered tube. I get dizzy quickly, then slowly, as shock passes over me, imprinting the knowledge that someday I will be dead.
The thing happened again recently. I was having sex, when suddenly the act became a never-ending bit frozen over time. Everywhere turned cool until I couldn’t rise anymore; or rather, until I realized that I wouldn’t rise any higher than this, and nothing would ever feel better than this moment. I infused every thrust, pull, choke, and breath with my energy. The last of myself. I sweated so much that my partner paused. His eyes shined with marvel. He asked me if I was okay. “Yeah, all good,” I said, ignoring the feeling that the side of my face was melting off. When I orgasmed, my vision went black. Or perhaps my eyes shut, gloriously weightless, as the body wrung itself. My left eye whorled with the sensation of blindness. I found it slightly spectacular. Afterwards, in the bathroom mirror, the bloodshot eye looked back at me. The red veins rose atop the creamy sclera and pumped. The thing, gleaming like the exposed roots of an old, ugly tree.
In my bed, before I get up to seize the day, this all feels too much. SHAME, I think, the thin word, flashing under my eyelids like a signal. I pass my hands over my body. I smooth my chest. Pinch my right nipple. Feel the flat tummy, the belly button. I wander down to the sticky heat of my thighs beneath the blanket. I pluck a single wiry hair from my bush. Then another. For a brief second of pain, I feel truly awake. I glitter at the edge of the void. That’s when I get up.
The thing inside me shows plainly on my face. In the underlying gnarl of my lip. The dark light in my eye. The grout-white of my smile. Sometimes, it is the brutal grace of my collar bone, the trembling of my heart in everything I do. The thing is the sweet bodily spasms as I lay the weights down at the gym. It is hungriness which turns into honey on my tongue as I watch my phone, still connected to its charging cable since yesterday afternoon, ring and ring from beneath my bedsheets. Up float the letters, “Father,” “Mother,” “Friend,” like small bones in the poisoned soup. This, the beast watches from his seat in my periphery. Where the thing appears, the beast is not far behind.
"I longed for these two things—
the passion and the sickness—"
Looking into the mirror, I once again knew that someday I would be dead. I grabbed my phone, opened a document labelled “Writing Journal,” and jotted down a short story idea about a simple Black boy. “He rations his happiness for so long,” I wrote, “Until Death comes to collect its debt.” Everyone who knew him is not very sad when he dies, because what is life if not the rationing of happiness over time? “He defers his unhappiness for long enough that it is called a good life,” I added.
"He burned without changing
—only glowing within, like
a hollow saint like
A Black-faced virgin gone
To Heaven."
Before I climb out of bed I think about animals. I like Black ones. I think I like the soft Black animal of my body. I tell my friends how I wish to own a menagerie of Big Black animals. Big black scary dogs. I want to be a Big Black man with a dog so Big and so Black that people see us coming and cross the street in fear.
I think of animals circling my feet. A warm paw pressed upon my chest. Scales coiling up my thigh like patterned rhinestones. The open maw of a black mamba before it strikes. Six yellow eyes glinting in the dark.
I think of the word “creature.”
I think of Mother. My mother. How once, shocked that I flung a metal rod at my younger brother’s head while we were play-fighting, she called me a “creature.” “What kind of creature are you, to do such a thing?” My brother knelt at her feet. A face of serene sorrow beyond tears. He looked mindless and stupid, as though all of his light and all of his mind were sucked into the welt that rose from his temple like a ripe tumor.
I think of “The creature” in The Book of Margery Kempe, the name Margery adopts in apology for her flawed, fleshy, sinful nature before her husband Jesus Christ. In Revelations of Divine Love, Julian of Norwich speaks of a “thing, the size of a hazelnut,” resting in the palm of her hand. Things happen to Margery, the creature. She falls so ill that she expects death; she cries, wails, and roars magnificently, with such force that she fears she might burst. In Julian’s little thing, she perceives three truths: God made it, God loves it, and God cares for it. The proem of Margery’s book reminds us that “whatever grace [our Lord Jesus Christ] works in any creature is to our profit.” Julian, too, calls herself a “sinful creature.” Things, you see, are always arranged for the creature, for the creature is always subject to things. Through her thing, Julian yearns to become “one substance” with God, so bound in love and rest that “no created thing may stand between my God and me.”
"Enter my soul, take me in your arms
—Lay me on your breasts
and give me suck."
When I finally climb out of bed, I do not make it past my bedroom door. At the shiny gold knob, I crumple to the floor and waft in and out of sleep for the next three, maybe four hours. I have not said a word all day. When I wake up, I say out loud, “I don’t think I’m okay.”
I ask myself, “If I were a Black animal, which one would I be?”
"There is a panther stalks me down…
His greed has set the woods aflame."
The beast stirs in the corner, and the thing rises in me like a fever. At 4:30 PM on my hands and knees, I crawl back to my bed and slither between the sheets. I sleep. I wake up. The light is still too bright. The sun is down now, but the fluorescence of the neighbourhood floods the sky. I close my eyes again. I start a prayer to God, but I feel it stutter. The engine of a plane starting to lurch mid-flight. It is 8 PM on a Sunday and I have not left my room all day. So I stop. I reach for my phone, careful not to unplug it from its charger. It is so old and so dead that at this point the only life it can sustain must come straight from the source. Under the dome of my blue blanket, I tweet: sometimes I feel like there is a large beast that keeps me company, but I don’t see it and it hides in my shadow and makes my back ache, but I don’t see it so maybe it’s not real and I’m just crazy.
“The work of art empties itself in a fantasy of self-annihilation,” Simon Critchley writes, “Divination and death find the form of beauty.” I keep praying. The plane keeps climbing into the sky. “Please God help me get up. I want to go to the park and sit by the little lake.” When the plane chokes, my prayers die mid-air, and the fiery descent begins. I pray for death instead. For my plane full of prayers to fall down faster. In the corner of my room, the beast snarls. Dinner is by a trail of smoke and burning supper. I tremble through hot breaths. The sky is dark outside. My phone is ringing again. “Father,” “Mother,” “Brother,” “Uncle.” I turn it upside down. It buzzes, burning against my skin like a brick of heat.
"The dove descending breaks the air
With flame of incandescent terror
…The only hope, or else despair
Lies in the choice of pyre or pyre—
To be redeemed from fire by fire."
It was at the moment of death when suddenly, Julian saw Christ. Christ entered Margery’s soul suddenly, “as the lightning comes from heaven,” and illuminated it with the light of grace and understanding. “And set it all on fire with love.”
I live on the tenth floor of a decrepit building in downtown Mississauga.
I do not leave my room to eat or step out to breathe the city’s dry air.
Suddenly, the beast tears me apart.
And I feel full again. I eat, too.